Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Jan Asselijn
Frozen Moat Outside City Walls
new25/Jan Asselijn-568346.jpg
ID: 86118

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Jan Asselijn Frozen Moat Outside City Walls


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Jan Asselijn

born: Netherlands; about 1615 died: Amsterdam, Netherlands ; 1652. Italianate syle painter with big vistas small people and romantic skys  Related Paintings of Jan Asselijn :. | River Bank with Herdsmen | Italian Landscape with the Ruins of a Roman Bridge and Aqueduct | Breiter flub mit bogenbrucke | River Bank with Herdsmen | Breiter Flu mit Bogenbrocke |
Related Artists:
Franz Thomas Low
Lived in 18th centry.
Henrik Nordenberg
painted Interior with a boy at a window in 1857-1928
Wouter Johannes van Troostwijk
1782-1810 Dutch Wouter Johannes van Troostwijk Gallery Dutch painter, draughtsman and etcher. In 1803 he was admitted to the Amsterdam Tekenacademie where he was a pupil of the director, Jurriaan Andriessen. Despite a highly successful student career that culminated in a gold medal from the Felix Meritis Society in 1807, he was unable to establish himself as a professional artist during the remainder of his very short working life in Amsterdam. Andriessen's studies from nature seem to have been an important influence; van Troostwijk was one of the earliest artists to paint en plein air. Although he looked back to 17th-century Dutch landscape art and to the work of his contemporaries, in such paintings as Landscape in Gelderland (c. 1808; Amsterdam, Rijksmus.; see NETHERLANDS, THE, fig. 21) he achieved a totally new lyricism in the rendering of atmospheric effects. The Raampoortje (1809; Amsterdam, Rijksmus.) displays a fresh colouristic touch rare in Dutch painting of this period. His Self-portrait (c. 1810; Amsterdam, Rijksmus.) is equally original in composition and colour. He also produced animal paintings in the manner of Paulus Potter, drawings and a few etchings towards the end of his life. Van Troostwijk died before his considerable talents could be recognized, and, although he has come to be seen as an important precursor of much late 19th-century Dutch painting, he had little influence on his immediate successors.






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